- Scott pilgrim vs the world the game music movie#
- Scott pilgrim vs the world the game music full#
- Scott pilgrim vs the world the game music software#
- Scott pilgrim vs the world the game music series#
Scott pilgrim vs the world the game music full#
I had also done a video myself for Charlotte Hatherley which was full of syncopated scratches and film dirt. I also showed them the titles of Faster Pussycat, Kill, Kill as I adored the use of the optical track in that opening. What is it about marrying the aesthetic of scratched film and fierce three-chord punk that makes for such a spellbinding onslaught?ĮW: My brief to Shynola was for it to be like 2001 meets Sesame Street a marriage of the mindfuck of the Stargate sequence with the early childlike animation of the Children's Television Workshop. I knew they were big music fans too and so I thought they might have a blast with the brief, which was basically to make love to the eyeballs for two minutes. In Shynola's case I'd seen all their music videos from way back and knew they were the kings of highly detailed, syncopated animation.
Scott pilgrim vs the world the game music movie#
I had no idea whether they were available or interested, so I asked them to come in and see the movie ASAP.ĭo you keep a sort of list of people you may want to one day work with? Is selective collaboration the key to good art?ĮW: I think it is, yes. I had met them years ago, but we never actually got to collaborate, so it was nice to give them the call after so long. When we knew we would have to farm the sequence out to someone, Shynola came to mind as animators that would completely ace it. We had the opening title sequence all finished by this point, but Oscar and Double Negative had their hands completely full with the rest of the effects and graphics within the film. Originally we only used 60 seconds of Beck, but there was a longer demo to play with so we could expand the track to credit sequence length.ĮW: We knew that the opening titles had to be really arresting and somehow hint at the phantasmagoria to come. Luckily, there was more song to play with. It also helped to have Beck's loudest soundtrack song blasting for two minutes straight! So we knew even with our mock-up that the front titles made a big difference to the movie.
Scott pilgrim vs the world the game music software#
*AVID refers to Media Composer, frequently referred to as "The Avid", which is a type of computer software application known as a Non-linear editing system (NLE).Įven this temporary sequence did the trick of giving the film more of a sense of occasion and a very distinct break between the prologue and the first scene that moves the story forward. We did a very rough mock up of this in the AVID* with white on black titles along with waveform graphics. He felt we needed a title sequence at the start to let people settle in and hint more about what we were about to see. But then a couple of people had a note about the movie, one of them being Quentin Tarantino. We test screened it once in this version. We originally ended on a completely different song too, "In The Long Run" by The Carrie Nations. But originally all the credits were at the end over black. That was one of the first scenes boarded and pre-vised. The film always opened with the studio credits and the title always occurred over the long tracking shot in the living room with the band playing. The manga/mumblecore modulation of the film first seethes on pseudo strips of scratched celluloid scored to Beck's/Sex Bob-omb's artful cheetah-like strains of something akin to Black Flag’s "Wasted" locking horns with Iggy Pop’s "Search and Destroy". The visual napalm, conjured by Shynola, is traced and painted rather than a result of exposure to light.ĭirector EDGAR WRIGHT, main title designer RICHARD KENWORTHY from Shynola, and concept designer and head storyboard artist OSCAR WRIGHT discuss the creation of the opening sequence with us.Īt what stage in the process did you decide to use a title sequence?ĮW: In this case, the bulk of the title sequence came late in the game.
Scott pilgrim vs the world the game music series#
the World, based on the graphic novel series by Bryan Lee O'Malley. The reductionist 8-bit rendering of the Universal logo is the amuse-bouche to Edgar Wright's Scott Pilgrim Vs.
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